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Thanks to begrudging cooperation from the comedian and writer, a new biography is suitably kvetchy, if a little too long and a little too nice.

In “Every Story Is a Love Story,” a widower develops complicated feelings for the woman who upended his life.

The “Bojack Horseman” designer Lisa Hanawalt bridles at glib therapists and is hot to trot for Mister Rogers in her new graphic memoir.

Emmanuel Carrère’s latest book combines a nuanced portrait of his formidable mother with a meditation on the fraught nature of truth.

In Kara LaReau’s “Licorice,” a shelter kitten adopted by a boy named Max is tormented by the lingering presence of her recently departed predecessor.

With its bracing studies of fiction’s secrets, this 66-year-old work of literary criticism still surprises and delights.

K-Ming Chang’s “Needlemouth” blends body horror with feminist allegory in the story of three cousins grappling with their inherited trauma.

Penny Hardy photographed the restaurant sheds that cropped up across the city in 2020. Only a fraction of them remain today.

Alexander Maksik’s new novel explores the bonds and strains of a father-daughter relationship amid a developing crisis.

In “Redemption,” the Pulitzer Prize winner Lawrence Wright asks whether people sentenced to die in Texas should have a second chance.